Size: 58.9 MB Bitrate: 256 mp3 Ripped by ChrisGoesRock Artwork Included Sorce: Japan 24-Bit Remaster Simon Dupree & the Big Sound's sole LP was, oddly, recorded and released prior to their one big British hit, the psychedelic pop single 'Kites.' It's in much more of a blue-eyed soul vein than 'Kites' (or some of their other subsequent work), with hints of ska and pop, though its brassy American-styled soul-with-organ that carries the day. As far as such British acts went, Simon Dupree & the Big Sound were neither the best nor the worst; they were pretty driving and soulful, actually, but not too innovative or creative. Too, this kind of blue-eyed soul was just starting to pass out of fashion in the U.K. By the time it came out in 1967, though the LP did edge into the British Top 40. Still, this has some pretty fair soul-rock cuts, like their version of the Five Americans' 'I See the Light,' their cover of a young Albert Hammond's 'Reservations,' and 'Love,' a pretty cool exuberant number penned by Jackie Edwards, who'd written hits for the Spencer Davis Group. Some of their original tunes and attempts at heavier, more serious soul, however, are more plodding and not nearly as inviting. ![]() Simon Dupree and the Big Sound were a British psychedelic rock/psychedelic pop band formed by three Scottish brothers, Derek Shulman, born 1947 (vocals), Phil Shulman, born 1937 (vocals, saxophone, trumpet), and Ray Shulman, born 1949 (guitar, violin, trumpet, vocals); also known for their later prog rock band, Gentle Giant. They started as The Howling Wolves and then became The Road Runners, playing R&B around the Portsmouth area, home of the Shulman brothers, becoming Simon Dupree and the Big Sound in early 1966. Making up the rest of the group were Peter O'Flaherty (bass guitar) (born 8 May 1944, in Gosport, Hampshire), Eric Hine (keyboards) (born Eric Raymond Lewis Hines, 4 September 1944, in Portsmouth, Hampshire), and Tony Ransley (drums) (born Anthony John Ransley, 17 May 1944, in Portsmouth, Hampshire). Those early group names aside, their repertory was focused a lot more on the songs of Wilson Pickett, Don Covay, and Otis Redding, than on the Howlin' Wolf or Bo Diddley. 'Simon Dupree and the Big Sound' came about in the course of their search for a flashy name. The group were signed to EMI's Parlophone label, under producer Dave Paramor. Their first few singles, notably 'I See The Light' (1966), failed to chart, then in October 1967, the group's management and their record label decided to try moving Simon Dupree and the Big Sound in the direction of psychedelia. ![]() Simon Dupree And The Big Sound - France Single 1968 They broke through at the end of 1967 with the psychedelic 'Kites', a Top 10 hit in the UK Singles Chart. Regarding themselves as blue-eyed soul brothers, they hated it as it was so unrepresentative of their usual style. The follow-up, 'For Whom The Bell Tolls', was only a minor hit, and a subsequent single 'Broken Hearted Pirates', featuring an uncredited Dudley Moore on piano, made no headway at all. A then unknown keyboard player by the name of Reginald Dwight was hired to fill in for an ill Eric Hine and he joined them on a 1967 tour in Scotland. They were asked to allow him to stay on, and he was almost recruited as a permanent member. They politely rejected the chance to record any of his compositions (although they did ultimately record 'I'm Going Home' as the B-side of their final (contractually obligated single), and laughed when he told them he was adopting the stage name of Elton John. Listen free to Simon Dupree & The Big Sound – Part Of My Past - The Simon Dupree & The Big Sound Anthology (I See The Light - Stereo; 2004 Remastered Version, It Is Finished - 2004 Remastered Version and more). 55 tracks (149:52). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm.
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